[D-G] Fluctuat Nec Mergitur

Thu Mar 23 10:25:07 PDT 2017

Haecceities, Derrida's passage on the girls who tear the veil of the
proper name (Of Grammatology), Baudrillard: New York feeds off itself,
the automatonism of the graphein's double violence, the
flaneur/bricoleur, cousin to the soldier (Badiou), D&G's City inventing
agriculture and not the other way around. Graphic inventions are indeed
coming, based on G's "signs-particles," the 3D of the wall as Hans
breaks more free from the curare-resin, Chewy's necessity to free him
(Conan being freed from the Tree of Woe, then they both go to the bazaar
to get stoned on blue lotus seeds) no longer requires a Chewy or even
LSD. City subjectivity will be where philosophy happens, though
post-media screenal space may already be debauched/exhausted in the
realm of communication. Prisoners will break free gradually, more likely
as they develop a machinic unconscious and schizoanalytic of their own
design.

<-----Original Message-----> 
>From: Johnatan Petterson [internet.petterson at gmail.com]
>Sent: 3/23/2017 8:42:13 AM
>To: deleuze-guattari at lists.driftline.org
>Subject: Re: [D-G] Fluctuat Nec Mergitur
>
>Hi. How are you Today? I don't know you Mike, or Anyone who is reached
>by our Posts on this Server,
>may have some form of information on this:
>
>Felix Guattari in Chaosmosis praises subjectivity, and has a say that
the
>concept may extend to an entire city.
>
>-> The subjectivity of Paris, for example.
>
>I am wondering now about the kind of thought - process which led
Guattari
>to
>posit 'subjectivity' so far in the realm of 'haecceities' : is it
something
>traces thereof could be found in earlier works, as ATP?
>can we have an Archaelogical Documentation, a History of the Concept of
>
>
> City-Subjectivity ??
>
>
>In any case, what (concepts')components' exchanges would enjoy :
>
>--(city) 'subjectivity' --
>
>when we shuffle around
>
>--- (city) 'aura' --- (Benjamin),
>
> which has mystical oriented connotations,
>
>and/or with
>
> --- (city) 'entity' (Lovecraft) --- ,
>
> which partakes to a visionary littrature , and remains often a source
of
>inspiration
> for the likes of graphic inventions in 3d we call such, 'concept art'.
>
>
>
>best,
>
>John Petterson
>
>
>
>
>
>
>
>
>
>
>
>2017-03-13 23:54 GMT+01:00 Mike Lansing <badger2 at mail2world.com>:
>
>> Virilio's Night Consoles
>>
>> 'As with the Michelsberg culture in the Rhineland, the
>> Chassey-Michelsburg culture in the Paris Basin does not see an
immediate
>> development of linear tombs. A recent survey of the sparse evidence
for
>> burial in the Michelsberg of the upper and middle Rhine has described
>> the evidence for burial within pits and ditches in associated with
>> domestic occupation. (Lichardus 1986) Similar evidence occurs in the
>> Paris Basin (Bailloud 1979). The overall paucity of burials suggests
>> that some form of exposure may have been the main burial rite.
>>
>> On the other hand, substantial 'camps' are known, often with
interrupted
>> ditches and pallisades, and in upland or river spur locations
>> appropriate for defense. As well as domestic activities carried out
at
>> these sites, there is some evidence of special activities in that the
>> high camps provide the main find-spots in the Paris Basin. for the
>> so-called vase-supports. These ceramic objects are of special
interest
>> for a number of reasons. First, they were probably not used as
>> vase-supports since traces of burning indicate some function to do
with
>> lamps or incense burners. Second, in Brittany they came largely from
>> funerary monuments or stone circles indicating a ritual use. Third,
they
>> are heavily decorated in contrast to all other types of Paris Basin
>> Chassey-Michelsberg pottery. It is perhapsalso relevant that the few
>> stylized female figurines from this period in the Paris Basin are
also
>> undecorated.
>>
>> Whatever the full range of activities carried out at thast camps,
they
>> appear also to have been foci of non-domestic specialized rituals.
>> Decoration has shifted from domestic pottery (in Danubian phases) to
a
>> ceramic type used in specialized rituals within larger monuments.
These
>> camps draw together larger groups, and emphasize exits and entrances
to
>> those groups. As part of this new process, houses become slight and
>> there is little evidence of elaboration of the domestic context.
>>
>> As we have seen elsewhere in Europe, the camps themselves introduce
>> subtle changes to the domus. Not only does the role of domestic
>> symbolism decline, but also the emphasis on defense leads to a new
>> relationship with the non-domus 'other.' Prowess (in [italics]) the
wild
>> as opposed to control (over[it.]) nature takes on a renewed
>> significance....Pollen evidence indicates massive forest clearance at
>> this time.'
>> (Hodder, The Domestication of Europe p. 224)
>>
>>
>> '"Today I am happy to give you excellent news from the cavern Tuc
>> dÁudobert. As you were first to visit this cavern, you will also be
>> first to learn that in an upper gallery, very difficult of access, at
>> the summit of a very narrow ascending passage, and after having been
>> obliged to break a number of stalactites which completely closed the
>> entrance, my son and myself have found two superb statuettes in clay,
>> about 60cm in length, absolutely unbroken, and representing bison.
>> Cartailhac and Breuil, who have come to see them, were filled with
>> enthusiasm. The ground of these chambers was covered with imprints of
>> the claws of the bear, skeletons of which were buried here and there.
>>
>> The Magdalenians have passed through this ossuary and have drawn out
all
>> the canine teeth, to make ornaments of these. Their steps left their
>> fine impression on the humid and soft clay, and we still see the
>> outlines of several bare human feet. They had also lost several
flakes
>> of flint and the tooth of an ox pierced at the neck; we have
collected
>> them, and it seems as if they had only been dropped yesterday; the
>> Magdalenians also left an incomplete model of a bison and some lumps
of
>> kneaded clay which still carry the impression of their fingers. We
>> produce the proof that in this period, all branches of art were
>> cultivated."....'
>> (Osborn HF, Men of the Old Stone Age, Begouen Letter, 23 Oct 1912 )
>>
>>
>>
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