[D-G] Fluctuat Nec Mergitur
badger2 at mail2world.com
Thu Mar 23 10:25:07 PDT 2017
Haecceities, Derrida's passage on the girls who tear the veil of the
proper name (Of Grammatology), Baudrillard: New York feeds off itself,
the automatonism of the graphein's double violence, the
flaneur/bricoleur, cousin to the soldier (Badiou), D&G's City inventing
agriculture and not the other way around. Graphic inventions are indeed
coming, based on G's "signs-particles," the 3D of the wall as Hans
breaks more free from the curare-resin, Chewy's necessity to free him
(Conan being freed from the Tree of Woe, then they both go to the bazaar
to get stoned on blue lotus seeds) no longer requires a Chewy or even
LSD. City subjectivity will be where philosophy happens, though
post-media screenal space may already be debauched/exhausted in the
realm of communication. Prisoners will break free gradually, more likely
as they develop a machinic unconscious and schizoanalytic of their own
>From: Johnatan Petterson [internet.petterson at gmail.com]
>Sent: 3/23/2017 8:42:13 AM
>To: deleuze-guattari at lists.driftline.org
>Subject: Re: [D-G] Fluctuat Nec Mergitur
>Hi. How are you Today? I don't know you Mike, or Anyone who is reached
>by our Posts on this Server,
>may have some form of information on this:
>Felix Guattari in Chaosmosis praises subjectivity, and has a say that
>concept may extend to an entire city.
>-> The subjectivity of Paris, for example.
>I am wondering now about the kind of thought - process which led
>posit 'subjectivity' so far in the realm of 'haecceities' : is it
>traces thereof could be found in earlier works, as ATP?
>can we have an Archaelogical Documentation, a History of the Concept of
> City-Subjectivity ??
>In any case, what (concepts')components' exchanges would enjoy :
>--(city) 'subjectivity' --
>when we shuffle around
>--- (city) 'aura' --- (Benjamin),
> which has mystical oriented connotations,
> --- (city) 'entity' (Lovecraft) --- ,
> which partakes to a visionary littrature , and remains often a source
> for the likes of graphic inventions in 3d we call such, 'concept art'.
>2017-03-13 23:54 GMT+01:00 Mike Lansing <badger2 at mail2world.com>:
>> Virilio's Night Consoles
>> 'As with the Michelsberg culture in the Rhineland, the
>> Chassey-Michelsburg culture in the Paris Basin does not see an
>> development of linear tombs. A recent survey of the sparse evidence
>> burial in the Michelsberg of the upper and middle Rhine has described
>> the evidence for burial within pits and ditches in associated with
>> domestic occupation. (Lichardus 1986) Similar evidence occurs in the
>> Paris Basin (Bailloud 1979). The overall paucity of burials suggests
>> that some form of exposure may have been the main burial rite.
>> On the other hand, substantial 'camps' are known, often with
>> ditches and pallisades, and in upland or river spur locations
>> appropriate for defense. As well as domestic activities carried out
>> these sites, there is some evidence of special activities in that the
>> high camps provide the main find-spots in the Paris Basin. for the
>> so-called vase-supports. These ceramic objects are of special
>> for a number of reasons. First, they were probably not used as
>> vase-supports since traces of burning indicate some function to do
>> lamps or incense burners. Second, in Brittany they came largely from
>> funerary monuments or stone circles indicating a ritual use. Third,
>> are heavily decorated in contrast to all other types of Paris Basin
>> Chassey-Michelsberg pottery. It is perhapsalso relevant that the few
>> stylized female figurines from this period in the Paris Basin are
>> Whatever the full range of activities carried out at thast camps,
>> appear also to have been foci of non-domestic specialized rituals.
>> Decoration has shifted from domestic pottery (in Danubian phases) to
>> ceramic type used in specialized rituals within larger monuments.
>> camps draw together larger groups, and emphasize exits and entrances
>> those groups. As part of this new process, houses become slight and
>> there is little evidence of elaboration of the domestic context.
>> As we have seen elsewhere in Europe, the camps themselves introduce
>> subtle changes to the domus. Not only does the role of domestic
>> symbolism decline, but also the emphasis on defense leads to a new
>> relationship with the non-domus 'other.' Prowess (in [italics]) the
>> as opposed to control (over[it.]) nature takes on a renewed
>> significance....Pollen evidence indicates massive forest clearance at
>> this time.'
>> (Hodder, The Domestication of Europe p. 224)
>> '"Today I am happy to give you excellent news from the cavern Tuc
>> dÁudobert. As you were first to visit this cavern, you will also be
>> first to learn that in an upper gallery, very difficult of access, at
>> the summit of a very narrow ascending passage, and after having been
>> obliged to break a number of stalactites which completely closed the
>> entrance, my son and myself have found two superb statuettes in clay,
>> about 60cm in length, absolutely unbroken, and representing bison.
>> Cartailhac and Breuil, who have come to see them, were filled with
>> enthusiasm. The ground of these chambers was covered with imprints of
>> the claws of the bear, skeletons of which were buried here and there.
>> The Magdalenians have passed through this ossuary and have drawn out
>> the canine teeth, to make ornaments of these. Their steps left their
>> fine impression on the humid and soft clay, and we still see the
>> outlines of several bare human feet. They had also lost several
>> of flint and the tooth of an ox pierced at the neck; we have
>> them, and it seems as if they had only been dropped yesterday; the
>> Magdalenians also left an incomplete model of a bison and some lumps
>> kneaded clay which still carry the impression of their fingers. We
>> produce the proof that in this period, all branches of art were
>> (Osborn HF, Men of the Old Stone Age, Begouen Letter, 23 Oct 1912 )
>> <span id=m2wTl><p><font face="Arial, Helvetica, sans-serif"
>> ____________________________<BR>Get the Free email that has everyone
>> talking at <a href=http://www.mail2world.com target=new>http://www.
>> mail2world.com</a><br> <font color=#999999>Unlimited
>> - POP3 - Calendar - SMS - Translator - Much
>> List address: deleuze-guattari at driftline.org
>> Info: http://lists.driftline.org/listinfo.cgi/deleuze-guattari-
>> Archives: www.driftline.org
>List address: deleuze-guattari at driftline.org
<span id=m2wTl><p><font face="Arial, Helvetica, sans-serif" size="2" style="font-size:13.5px">_______________________________________________________________<BR>Get the Free email that has everyone talking at <a href=http://www.mail2world.com target=new>http://www.mail2world.com</a><br> <font color=#999999>Unlimited Email Storage POP3 Calendar SMS Translator Much More!</font></font></span>
More information about the Deleuze-Guattari