[D-G] Fluctuat Nec Mergitur
internet.petterson at gmail.com
Thu Mar 23 07:43:13 PDT 2017
Hi. How are you Today? I don't know you Mike, or Anyone who is reached
by our Posts on this Server,
may have some form of information on this:
Felix Guattari in Chaosmosis praises subjectivity, and has a say that the
concept may extend to an entire city.
-> The subjectivity of Paris, for example.
I am wondering now about the kind of thought - process which led Guattari
posit 'subjectivity' so far in the realm of 'haecceities' : is it something
traces thereof could be found in earlier works, as ATP?
can we have an Archaelogical Documentation, a History of the Concept of
In any case, what (concepts')components' exchanges would enjoy :
--(city) 'subjectivity' --
when we shuffle around
--- (city) 'aura' --- (Benjamin),
which has mystical oriented connotations,
--- (city) 'entity' (Lovecraft) --- ,
which partakes to a visionary littrature , and remains often a source of
for the likes of graphic inventions in 3d we call such, 'concept art'.
2017-03-13 23:54 GMT+01:00 Mike Lansing <badger2 at mail2world.com>:
> Virilio's Night Consoles
> 'As with the Michelsberg culture in the Rhineland, the
> Chassey-Michelsburg culture in the Paris Basin does not see an immediate
> development of linear tombs. A recent survey of the sparse evidence for
> burial in the Michelsberg of the upper and middle Rhine has described
> the evidence for burial within pits and ditches in associated with
> domestic occupation. (Lichardus 1986) Similar evidence occurs in the
> Paris Basin (Bailloud 1979). The overall paucity of burials suggests
> that some form of exposure may have been the main burial rite.
> On the other hand, substantial 'camps' are known, often with interrupted
> ditches and pallisades, and in upland or river spur locations
> appropriate for defense. As well as domestic activities carried out at
> these sites, there is some evidence of special activities in that the
> high camps provide the main find-spots in the Paris Basin. for the
> so-called vase-supports. These ceramic objects are of special interest
> for a number of reasons. First, they were probably not used as
> vase-supports since traces of burning indicate some function to do with
> lamps or incense burners. Second, in Brittany they came largely from
> funerary monuments or stone circles indicating a ritual use. Third, they
> are heavily decorated in contrast to all other types of Paris Basin
> Chassey-Michelsberg pottery. It is perhapsalso relevant that the few
> stylized female figurines from this period in the Paris Basin are also
> Whatever the full range of activities carried out at thast camps, they
> appear also to have been foci of non-domestic specialized rituals.
> Decoration has shifted from domestic pottery (in Danubian phases) to a
> ceramic type used in specialized rituals within larger monuments. These
> camps draw together larger groups, and emphasize exits and entrances to
> those groups. As part of this new process, houses become slight and
> there is little evidence of elaboration of the domestic context.
> As we have seen elsewhere in Europe, the camps themselves introduce
> subtle changes to the domus. Not only does the role of domestic
> symbolism decline, but also the emphasis on defense leads to a new
> relationship with the non-domus 'other.' Prowess (in [italics]) the wild
> as opposed to control (over[it.]) nature takes on a renewed
> significance....Pollen evidence indicates massive forest clearance at
> this time.'
> (Hodder, The Domestication of Europe p. 224)
> '"Today I am happy to give you excellent news from the cavern Tuc
> dÁudobert. As you were first to visit this cavern, you will also be
> first to learn that in an upper gallery, very difficult of access, at
> the summit of a very narrow ascending passage, and after having been
> obliged to break a number of stalactites which completely closed the
> entrance, my son and myself have found two superb statuettes in clay,
> about 60cm in length, absolutely unbroken, and representing bison.
> Cartailhac and Breuil, who have come to see them, were filled with
> enthusiasm. The ground of these chambers was covered with imprints of
> the claws of the bear, skeletons of which were buried here and there.
> The Magdalenians have passed through this ossuary and have drawn out all
> the canine teeth, to make ornaments of these. Their steps left their
> fine impression on the humid and soft clay, and we still see the
> outlines of several bare human feet. They had also lost several flakes
> of flint and the tooth of an ox pierced at the neck; we have collected
> them, and it seems as if they had only been dropped yesterday; the
> Magdalenians also left an incomplete model of a bison and some lumps of
> kneaded clay which still carry the impression of their fingers. We
> produce the proof that in this period, all branches of art were
> (Osborn HF, Men of the Old Stone Age, Begouen Letter, 23 Oct 1912 )
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