[D-G] Hyphénation de l'HyperObjet ( firstsampling)

Tue Mar 14 10:19:16 PDT 2017

>From the Autopsy list, WorldUpsideDown 14 Mar 2017 and Richard
Gilman-Opalsky's Specters of Revolt, the latter including some
reiteration of G's take on revolt in SC.
www.minorcompositions.info/?p=813

Virilio's lighted consoles, the lamps at Chassey, and Phew's album
"Light Sleep" to perform at Paris Theatre De Vanves, Nantes Lieu Unique,
and Geneva Cave 12. Hodder's incense burners at Chassey comparable to
Lee Patterson's "Vessels" upside Gustav Metzger:

Gustaz Metzger / Self-Cancellation
www.thewire.co.uk/in-writing/essays/gustav-metzger-and-self-cancellation
'...."The amplified sound of the auto-destructive process can be an
integral part of the total conception....Lee Patterson's "Vessels"....'

Of what timbre is Chassey clay? What frequencies cannot be heard? We
have already shown the imperceptibility of Japanese chigai "difference."
The Chinese term, "moth eyebrows"....

'In particular, they are comprised of imperceptible phases of raised
eyebrows and dilated pupils which do not last more than 2 to 3 tenths of
a second.
V chastnosti oni sostoiat iz nezametnoifaz podnialbrovi i rashireny
uchenikov, kotorye delaiut ne poslednii bol'she, chem 2-3 desiatykh
dolei sekundy.

These expressions filmed at 48 images a second and broken up image by
image, are found in the Solomon Islands, New Guinea, France, Japan,
Africa, as well as in the Indians of the Amazon.
Eti vyrasheniia, sniatyi na 48 izobrazhenii v sekundy i razobran
iavliautsia izobrazheniia, nashli na Solomonovykh ostrovakh, Novaia
Gvineia, Frantsiia, Iaponiia, Afrike, a takzhe Amazonki indeitsev.'
(MU p.347)

---Original Message-----> 
>From: Johnatan Petterson [internet.petterson at gmail.com]
>Sent: 3/13/2017 10:53:12 AM
>To: deleuze-guattari at lists.driftline.org
>Subject: Re: [D-G]Hyphénation de l'HyperObjet ( firstsampling)
>
>Hodder's Paris basin, & glanced documents on Buffalo Quest, interesting
>enough, will definetly have to read them, soon after our
>current Rocamadour's field archeologic works (chantier). (I am full
busy at
>this...)-
>this reminds me anyway, to think about how in PVirilio, The DayLight
>sensual bliss Is grasped by optical and or tactile optical Forms, and
or
>Metamorphosis (Ovide, Nietzsche)-: watching Daylight scattered
>Objects/Shapes.
>
>and which I have to assume may be thru Learning in fact, since we're
>foetus, triggered into each of ours different (un)equal unconscious
>machinisms,
>
>is it the Unconscious Machinic which shapes this Form prehensibility
and
>enjoyment thereof,
>
>or reversedly, the Pleasure of Metamorphosis, and (of) Formations,
which
>structures in levels/layers/plateaus the Machinic Unconscious.
>
>In framing this with a General Intellectual Theory stepping up into the
>depth of Guattari's Own Theory, we recall how Deleuze wrote to Guattari
and
>told him by a rapid fly word-note, how that they should rather forget
all
>about Lacan's idea lead into "Unconscious is structured like a
Language".
>
>So in the frame of a new Theory into DG, how should we explain the
>Nietzschean/Ovidian opt/haptic Bliss from Forms, AND bliss from
>Metamorphosis, by Structural Machinic Unconscious.? Procedural
Prehensibily
>implicates Archeologic finding of Structures, I reckon.
>
>automated DG theory would say that is Strata electrifyed combustion,
leads
>to the Plane of Composition (ATP)- we should strive and ask better of a
new
>theory of DG Theory.
>
>so, let's reframe our study:
>
>"how is Unconscious Machinic Cracked, Fractal Procedurality
prehensibility
>set towards the beauty of Shapes and haptic & optical Forms?" there is
the
>opium neurons green ice head connexions in dream, yet it is seldom
>that dreams produce so many Daylight Bliss as is triggered by Forms and
>Metamorphosis in Sun Light subjects.
>
>is there no , thus a distinct pleasure in archeologic findings of (a
>Vitruvian?, a Deleuzian? etc.) Formation ?
>
>how could one categorize such symbolically, or conceptually?
>
>(pistes de recherches..)-
>best,
>John.P
>
>
>
>
>
>2017-03-12 23:44 GMT+01:00 Mike Lansing <badger2 at mail2world.com>:
>
>> In Hodder's The Domestication of Europe, there is some material on
the
>> Paris Basin, though in s. France, we point to the sculpted bisons of
Tuc
>> d'Audobert, because these art objects are placed in the back grotto.
The
>> Winnebago buffalo hunt will place old men, women and children at the
>> back of the procession to the hunting grounds. On their return, the
>> formation is reversed.
>>
>> Hodder, Entangled: An Archaeology of the Relationships Between Humans
>> and Things
>>
>> <-----Original Message----->
>> >From: Johnatan Petterson [internet.petterson at gmail.com]
>> >Sent: 3/10/2017 11:37:33 PM
>> >To: deleuze-guattari at lists.driftline.org
>> >Subject: Re: [D-G]Hyphénation de l'HyperObjet ( firstsampling)
>> >
>> >"Hyperobjects seem to inhabit a Humean causal system in which
>> association,
>> >correlation, and probability are the only things we have to go on,
for
>> now.
>> >
>> >That's why it is so easy for Big Tobacco and global warming deniers:
of
>> >course there is no direct proof of a causal link.
>> >
>> >Post-Humean causality is by no means a matter of "objective" versus
>> >"subjective" impressions, let alone a matter of human reality versus
>> >non-human reality. It's a matter of how entities manifest for other
>> >entities, whether they are human, or sentient, or not."
>> >
>> >
>> >
>> >(from)-Timothy Morton.Hyperobjects- Massively Invisible Objects.
p37.
>> >
>> > also:
>> >
>> >P38
>> >
>> >"Thinking in terms of units counteracts problematic features of
>> thinking in
>> >terms of systems.(..)By seeing the energy in the black box as
discrete
>> >quanta ("units"), the correct result is obtained."
>> >_______________________________________________
>> >List address: deleuze-guattari at driftline.org
>> >Info:
>>
http://lists.driftline.org/listinfo.cgi/deleuze-guattari-driftline.org
>> >Archives: www.driftline.org
>> >.
>> >
>>
>>
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