[D-G] An Unmoderated Discussion
solntsepyati at yahoo.com
Wed Sep 8 11:28:11 PDT 2010
To call something written to cyberspace a 'mess' due to mispelling, etc. from
two dimensions, something that is being written about what is gong on in three
dimensions (people in Indiana crouched like frogs peering into a computer
cabinet ([he computer is enclosed within a cabinet] while the State's cameras
whirl surveilling them....what else can be said? Politkovskaya went to Chechnya
precisely because of such secenarios. Later we will see just how this resonates
with Russian FSB 'exercises,' for indeed, there is at least a calisthenic value
to the kow-tow.
HRC, our Secretary of State deplores Jone's wish to calendricize Quran
book-burnings, thus invoking violent images in the faithful. Yet, HRC has not
gone into the depth required to winnow the violent (obviously the Pretender in
the False Pretender's religion) from the rest of the Tolerant flock.
Lippit on Jameson in The Only Other Apparatus of Film : ' "So it is that depth
forms (if any exist, like prehistoric monsters) tend to be projected up upon the
surface in the anamorphic flatness of a scarcely recognizable afterimage,
lighting up the board in the form of a logical paradox or a textual paralogism.
We have to swim in both these worlds at once; learn to work the remote-control
glove within the contamination chamber; posit a noumenal shadow world of
seismographic movements and shoulderings that inscribes itself with grotesque
delicacy as minute and pencil-thin lines on the graph." At work in Jameson's
assertion is a fantastic rhetoric, impossible in any one register, possible only
in the polyphony of multiple subjectivity and authorship. A symptomatology, a
wildness that escapes in and into the disruption of order. A phantasy.'
Before one arrives at A Thousand Tiny Sexes, are primitive images that do not
wish to allow themselves to be freed from their alloy, the Signifier, i.e., the
wordless Signifier. That is why D&G's an-Oedipal, Klein's and Kristeva's
pre-Oedipal swerves close to the hovering body before sexuality in Bollas'
trisexual. Mommy-Daddy-Me, though Bagaudin dissociates at the critical time,
leaving the other Two Musketeers, Basaev and Hattab, to fend for themselves in
Daghestan, these playing the bisexual role that the Trisexual has manipulated so
An exceprt from McKenna's Violence and Difference are applied to the
Wahhabist-military-trisexual assemblage of the three mentioned:
'The result has been ably summarized by Bandera: "The point is that, as the game
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