[D-G] the BwO

[Sylvie Ruelle]

Wow!   Wonderful!

On May 29, 2009, at 9:00 AM, ccorey at frontiernet.net wrote:

> A Post-Modern Critique of “Evil is Alive and Well’
>
> …if we define the BwO as the process of finding oneself, where  
> everything is played out, the Indian is surly seeking it. As a mold  
> he mobilizes a maximum of exterior forces in search of his  
> treasured Esperanza. He is in a process, through Combustion, of  
> escape or infinite division on the plane of consistency. He is  
> transversed by machines in a non-organic regime. Like Beckett’s  
> pebble-pocket-mouth-shoe-pipe he has his ring-statue-radio-kitty  
> cat-rosary; he has these machines among other machines; machine  
> parts boxed up almost in their own search for outlet; a plugging  
> into the flow of desire; a loving and raging desire in periodic  
> alteration at every moment. He is consistently up against a regime  
> of totalization, collaboration, synergy, integration, inhibition,  
> and disjunction. By assemblages he plugs into desire, effectively  
> taking charge of his desires, assuring their continuous connections  
> and transversal tie-ins.
>
>
> -c-
>
>
> ----- Original Message -----
> From: "Sylvie Ruelle" <sylvie_ruelle at sbcglobal.net>
> To: deleuze-guattari at lists.driftline.org
> Sent: Thursday, May 28, 2009 10:05:14 AM GMT -05:00 US/Canada Eastern
> Subject: [D-G] theater of cruelty
>
> Do you see the body without organs and theater of cruelty in Jakob
> Dylans video "Evil is Alive and Well"?
>
> http://www.myspace.com/jakobdylan
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> -- 
> Christopher Corey
> Freedom is Existence
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