[D-G] deprogrammation of fear in Cinema and outside on Earth

[Dewey Dell]

hi Mike,

the green fascist reptilian eye of the pyramid of the dollar of the
american prisoner is a currency that goes to worldwide and passes hands
until it meets  to Adam and Eve in their garden
they comply to the bidding of the eye, ashamed of being populous and
possibly "vectors" of disease, shame on them they got that's the guilt you
talk about  !
and so they cover their mouth like animals x  they will have their every
6months dna strands  mutation vaccination with foetus and monkey dna
tweaker to become slaves to the all seeing eye of the reptile

the opsigns and sonsigns are a bit fuzzy like flesh, and it should rather
be carried by a geometric solid structure like in Logic of Sensation, where
the pope InnocentX is isolated,
what if? a bit as if Bacon/Deleuze wanted to question and doing decodage
with the "collective affections" going  in the "false-or-pseudo-objects" of
the indirect images, now, in order for the pope to develop a
multiplicity of auto-moving body-organs, the colored shadows of the
false-objects: they body - organs colored shadows , think the 'black goo'
this an artificial intelligence of the matrix, but as well the black goo
"thinks" this the green fascist eye of the reptiles, and Adam and Eve anon
grow 1+ more dimension on their hairy skin; they magic couple now need as
well to be isolated
one from the other by protections: supermarket clothes letting themselves
getting down slightly for the vaccine often every six months, the opsigns
and sonsigns of a screen/eye: a plane/screen, hover on the skin of Adam and
Eve the seringue religion of the vaccine "good healthy syrup"  makes their
flesh shine inside "non-localizable" then back above their hairy skin,
 the scanning reptilian eye becoming a travelling 3d all screening eye: a
multiplicity of lights pulsating house/temples isolations geometries which
are circling around the head of the Reptile like an electronic aura, facing
areoles the poop black goo on the nipples of the Snake Queen of Orion, in a
Virtual World, is now processing the thoughts of the false objects in Adam
and Eve at galactic wide telepathic distance... "Mysteries SSS" she screams
to Adam, with her forked red tongue full of venom. Eve sits on a chair and
gets a new dose of the jab.

Dewey



On Sun, Apr 11, 2021 at 8:26 PM Mike Lansing <badger2 at mail2world.com> wrote:

>
> Increasingly, as it turned into a pandemic, the fascist eye of American
> prisoners scanned the horizon looking for guilt. Deleuze presupposes this
> on p. 41 of C2: ‘The relation, sensory-motor situation —-> indirect image
> of time is replaced by a non-localizable relation, pure optical and sound
> situation—-> direct time image. Opsigns and sonsigns are direct
> representations of time. False continuity shots are the non-localizable
> relation itself: characters jump across them, they are swallowed up in
> them. Where has Gertrud gone? Into the false continuity shots....Of course
> they have always been there, in the cinema, like aberrant movements. But
> what makes them take on a specific new value, to the point where Gertrud
> was not understood at the time and still offends perception?’ Americans
> could have asked half-a-million times “Where has Gertrud gone?”
>
>
>
> On Mon, 5 Apr, 2021 at 10:56 AM, Dewey Dell <dewey.dell5 at gmail.com> wrote:
>