[D-G] deprogrammation of fear in Cinema and outside on Earth

[Dewey Dell]

The fear of Covid19 is hard stuff to deprogram. Its linked perhaps with «
blind trust ». People who trust « scientific boards and commities »
speaking upkey from Davos , those who trust «  media », those who trust «
google research engines results » its actually perhaps not linked with «
blind trust » but rather with images-emotions. Isolation is a double-edged
weapon.  Once the emotion has settled: ie. « fear » by media in early 2020,
every internet image had to « match » up with the « fear » emotion.
Deleuze should write a book on the Emotion Image: in Internet 1 & 2
perhaps...
In ATP in Refrain they warn us of « black holes » communicating and
empeding the T factor of plain chant(birds yes).
Its only then that « blind trust » of the media and of the Davos experts
comes in: when the T factor is blocked by a fear mongering carillon of
black hole.
No more collective rain forest parties: destruction.
The memory of the Higher Self which could inform the body/mind/spirit
complex of his past life events, is blocked.
It could inform the self of the illusion and its unsuspected dangers.
Too much isolation is dangerous: the skin is important to be able to
exchange emotion dna and touch with other people auras.
That is how technology like the media, the internet and iphones have
created a barrier isolating selves: it created an artificial « human kind »
social body complex which had been easyly subjectified by the fear
mongering Responsible Beings in 2020.
Their agenda, is sensori-motor. They plan ahead, long time. Centuries. What
do we know of the real cause of World War 2 for example? Was it a galactic
battle? We don’t know for sure it seems.
They « program » the minds of mankind with images emotions.
We are sensible supercomputers, we need extra batches to reactivate contact
with the source and our higher self ability to see what is good for our
selves as extra dense sensible supercomputers.
Fred Astair and Ginger Rogers might not be sufficient.
We need to touch the sun, reach out to the stars and heal earth from the
black goo of the fear mongerers.
To do this we need to analyze our individual memory a bit like in the 2049,
this sequel to Blade Runner. What is our true Self and what is the «
Programmed » one.
Pierce thru the « fake » : the programming done by the « powers » described
by Deleuze in Pourparlers: Internet,  TV, Science, Sports, Politics,
Entertainment,... Become in guerilla within our own self by
re-programmation, reach out new valid information on our Earth. Hidden on
purpose information. Why « blind trust »?   . Understand the gears, the
clogs and the wheels set active in the immense machinery of the Collective
Unconscious, of which the Responsible Fear Mongerers are only one team , in
this nintendo raging war.

Dewey Dell


Le sam. 3 avr. 2021 à 02:46, Mike Lansing <badger2 at mail2world.com> a écrit :

>
> The COVID-19 variant called Henri Mondor, reminiscent of Fred Astaire’s
> dance in Cinema 2 where the center of gravity passes outside his slight
> body. ‘So dance arises directly as the dreamlike power which gives depth
> and life to these flat views....which gives a world to the image....It will
> be the movement of the world which corresponds, in the dream, to the
> optical and sound image.’
> (Deleuze, C2)
>
>
>
> On Tue, 23 Mar, 2021 at 8:15 PM, Dewey Dell <dewey.dell5 at gmail.com> wrote:
>
> To: deleuze-guattari at lists.driftline.org
> in this context of fear and vaccination, some ET coming from the Procyon
> system, or like Veridical Perception, are talking about man being
> « programmed ». i wonder if we can grab the use of « images » as describing
> the process of this programmation in the human mind. Gilles Deleuze did two
> essays on Cinema exploring the role of « images » (viewed as « movement » )
> in the sensori-motricity or « break » of sensori-motricity. the thesis is
> that certain shock experience ( example taken by Deleuze is the repercusion
> of shock situations during World War 2) produce a rupture of
> sensori-motricity, and Cinema: like italian neo-realism; or french nouvelle
> vague, explores then, the experimental fields of Actors driven in a World
> of Pure Optic and Sound Signs. I thought it is interesting to relate our
> efforts in deprogramming fear and slavishness with this Cinema -
> Thinking...
>
>
> xx Dewey Dell
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