[D-G] La Projétation en Architecture (Vitruve)-

Sun Mar 12 16:01:29 PDT 2017

Where the hell is Harald when needed? In Martin's The Japanese Language
Through Time, there is a bibliography:
'p. 877 Wenck, Guenther, (1954) "Ueber Entdeck und systematisierung der
japanischen Konjugation", Nachrichten der Gesellschaft fuer Natur- und
Voelkerkunde Ostasiens.'

Only 866 pages to go. 

<-----Original Message-----> 
>From: Johnatan Petterson [internet.petterson at gmail.com]
>Sent: 3/10/2017 10:35:19 PM
>To: deleuze-guattari at lists.driftline.org
>Subject: Re: [D-G]La Projétation en Architecture (Vitruve)-
>
>Com'on Martin.
>I can tell you: all Your Scryptic Unconscious needs is a Clown,
>pues, I can try to mimick this purpose!
>(of course it will be an average similicrum of Harald)
>Did you knowHarald and I went together with a friends in 2004 to a cafè
if
>I remember well, it was in Paris,
>where there was a first stage, a circus, Monsieur Loyal was whisperin'
in a
>mike with loud murmurs blurbs in the City'huge speakers!
>then a floor with plenty of poorly re-furbished housings, with all
mirrors
>shattered across near our feet,
>it was somehow where people where exchanging beads, like they were
taking
>with a beer, a vodka a pernod in hand,
>and they were all laughing about a mysterious yet coveted
>and upstage freezing room:
>there wherepeople where eating green icecreams. actually my friends had
no
>concerns about it, they went straight
>to this first floor, and they were being given
>with a view and a unique chance to exhale this green shit thru a black
hole
>opening on a mouth which was hidden in walls carved with my teeth
gnawing.
>now it seems we don't know againwhy I was eating the cream from this
>Augustine Herald, and so
>to me it seems right now i am with you, in this room, and am being
asked
>by your beckon, if i can
>become a mouth again. become this deleuzian mouth and eat some green
>plumpudding, and be offered more. I wouldn't like I had not done it. I
>don't regret it. Ney,I am sorry.
>I ask whether is there something sick with me Martin??
>if you think so, do me a favour, allow me your forgiveness è
>
>ton ami Pierrot.
>
>
>2017-03-11 1:40 GMT+01:00 martin hardie <martin.hardie at gmail.com>:
>
>> Oh fuck me can you talk about deleuze
>>
>> I am pining for Harald
>>
>> On 11 Mar. 2017 1:39 am, "Mike Lansing" <badger2 at mail2world.com>
wrote:
>>
>> > Abandoned Phonemes Found in the Dumpster of the Starship Enterprise
>> >
>> > J. gomi 'waste, rubbish', tawagoto 'nonsense', omoi 'weighty,
>> > burdensome, oppressive', futotteiru 'overweight' hageshii 'intense,
>> > violent, crowded', hageshi ame 'heavy rain' hageshii kotsu 'heavy
>> > traffic', omoi kokoro 'heavy heart.' J. gota-gota 'trouble, chaos
>> > gotas-gota o okosu 'cause trouble, chaotically, hapharzardly',
gota-gota
>> > suru be chaotic; be complicated' be crowded, goto 'burglar,
robber',
>> > goto ni 'every, each, gottagaesu 'be very crowded; be cluttered.'
Thus,
>> > in the machinic unconscious, there would be hypercompensation for
the
>> > parasiotic vampirism of capitalist systems.
>> >
>> > The asterisk (*) means that it is attested in the literature:
>> >
>> > 'hagemasu < fagemasu ? < *fageymasu < *panka-Ci-ma-sa
>(<?) 'encourage,
>> > inspire'; hagemu < *fageymu < *panka-Ci-ma 'spur oneself, strive,
>> > labor hagesi adj., hakaru < fakaru <* paka -ra- 'measure,
>calculate,
>> > consult (with)', omoru <* omo adj. a -ra- 'become heavy/serious'
>Edo A.
>> > attested Hn (also NS but not phonetically), omoi 'thought', goma
>> > 'sesame' Sz, Narada, Izumo, Hiroshima; gomi ? <* nkomi 'rubbish,
>trash',
>> > Hamada, Goka-mura, Hiroshima;The bound auxiliary goto 'like' and
the
>> > bound auxiliary adjective goto-si 'is like' that derives from it
are
>> > always DAKU. It is generally ssumed that goto(-ni) 'each, every'
was
>> > voiced (as the phonogram in M 4000 has it), so that in moto ["]
koto ni
>> > 'on every tree' with the phonogram DITCH the distinction is
>> > orthographically underdifferentiated. Similar underdifferentiation
of
>> > the dental stop occurs for the particle dani 'even', written ["]
tani
>> > with the phonogram MANY in NS 107 and NS 127.
>> > ....
>> > The distinctive hyphen we use to write Hattori's Apostrophe (in
those
>> > cases when it is not neutralized) is a readily removable feast. It
but
>> > rarely turns up within a morpheme and there are many longer words
where
>> > it is never needed; moreover, , even in those words where the
boundary
>> > is called for, it readily drops. Japanese linguists will sometimes
write
>> > /'/ to indicate morphemic boundaries that are not heard at the
surface
>> > level: two morphemes comprise sa(right-angle sign) 'i 'difference',
and
>> > the accent of sa'i (right-angle sign)-do 'degree of difference' as
>> > contrasted with that of sa (right-angle sign)ido 'side' implies two
>> > one-mora syllables in the underlying form, but the word ordinarily
>> > sounds exactly the same as the sa (right-angle sign)i that
represents
>> > several one-morpheme words 'talent, wife' rhinocerus.'....Cf.
Sakurai
>> > (1978) says also that the modern heavy syllables developed (by
uniting
>> > two one-mora syllables) sometime during the Muromachi period. On
the
>> > possibility of earlier subsyllabic moras, see section 52.'
>> > (Martin, The Japanese Language Through Time)
>> >
>> > <-----Original Message----->
>> > From: Mike Lansing [deleuze-guattari at lists.driftline.org]
>> > Sent: 3/10/2017 12:54:35 PM
>> > To: deleuze-guattari at lists.driftline.org
>> > Subject: Re: [D-G]La Projétation en Architecture (Vitruve)-
>> >
>> > The womo-ku to mo 'even being heavy' we suggest has not only been
>> > miniaturized, but has developed in the machinic unconscious, as in
a
>> > dream wherein the legs are heavy and movement is difficult.
>> >
>> > <-----Original Message----->
>> > >From: Mike Lansing [badger2 at mail2world.com]
>> > >Sent: 3/9/2017 1:12:04 PM
>> > >To: deleuze-guattari at lists.driftline.org
>> > >Subject: Re: [D-G]La Projétation en Architecture (Vitruve)-
>> > >
>> > >MU p. 217, Figure 10 Diagrammatic cycle of deterritorialization,
shows
>> > >'substance' in between form and matter, with a dotted line as
>> > >semi-circle below it. Architects know that a city rots from the
inside
>> > >towards its periphery.
>> > >
>> > >'the loops of the "capture of form" (of formalization) tend to be
>> > >miniaturized and to indefinitely accelerate their cycle (Fig. 10)
>> > >Petli zakhvata formy (oformleniia) klonat' byt' miniaturnykh I
>> > >beskonechno u skorit' ikh tsikl. (Fig. 10)
>> > >
>> > >.....elementary quanta....assimilated to infinitesimal black
holes,
>> > >substituted for ancient modes....'
>> > >
>> > >Morphology of Forms
>> > >
>> > >'The Japanese-Portuguese dictionary gives "womo = /womoo/
><----omo-[ku]
>> > >'being heavy', but Esopo (1593) has "womoquotomo" (413) = womo-ku
>to mo
>> > >'even being heavy'. For goto- 'like' the Portuguese attest only
the
>> > >fossilized forms gotoqu [-ni] = goto-ku (ni) and gotoqi-no =
goto-ki
>> > no.
>> > >The expected forms *gotoi <----goto-[k]i and *gotoo (*goto")
>> > ><----goto-[k]u somehow never developed.*"goto").'
>> > >(Martin, The Japanese Language Through Time)
>> > >
>> > >
>> > ><-----Original Message----->
>> > >From: Johnatan Petterson [deleuze-guattari at lists.driftline.org]
>> > >Sent: 3/8/2017 5:49:06 PM
>> > >To: deleuze-guattari at lists.driftline.org
>> > >Subject: Re: [D-G]La Projétation en Architecture (Vitruve)-
>> > >
>> > >hi.
>> > >on page CS298 Guattari
>> > >after a catalogue of the three spaces which have been explored by
>> > >Vittorio
>> > >Ugo:
>> > >-euclidian space (apollinian)
>> > >- projective space (morphean)
>> > >- labyrinth space (dionysian)
>> > >
>> > >Guattari does the "énonciation scripturale" of "la projétation
>> > >architecturale".
>> > >
>> > >[from Vitruve to Corbu to Vinci, from the formal angle, to the
organic
>> > >point of vue, to the fractal territorialisation, exploring
>> > >correspondances
>> > >between the human body and the habitat]
>> > >
>> > >which should promulgate new
>> > >-potentialities
>> > >- new universes of references,
>> > >to begin with the one riding the development of the ethico -
aestetic
>> > >aspects in the building.
>> > >
>> > >301p Guattari mentions to that effect, Sartre's "engagement"
allowing
>> > >himself all licence in cartographical methodologies provided they
>> > relate
>> > >to
>> > >a "parachèvement existentiel"
>> > >and a "surabondance d'être" as sole criterium of truth in his
>> > >development.
>> > >
>> > >best,
>> > >J.P.
>> > >_______________________________________________
>> > >List address: deleuze-guattari at driftline.org
>> > >Info:
>> >
>http://lists.driftline.org/listinfo.cgi/deleuze-guattari-driftline.org
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>> > >
>> > >
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