[D-G] What is the difference between a schizo and a bad poet?

[sid littlefield]

Liz,

I like this way of looking at. But this leads to another question: How is the philosopher to suppose to make the move from literature to philosophy? I ask this with this in mind: HAven't philosophers done quite poorly when dealing with literature of the work of the artist.  Foucault seems to introduce things into his book on Roussel that he actively avoids in his other works (i.e. personal biography); Heidegger and his Holderlin fixation,etc.

thanks

> 
> Hello
> 
> I wanted to propose an answer. I have just be
> polishing it so as to add prehaps some clarity to what
> my feeling are on the question you have asked to all
> the list.
> 
> May-be in the way that the Philsopher had to take the
> mask of the wise before exposing the new, the concept
> (instead than carrying figures in the Mundanity of
> Consumerism?)?
> The role of the Artist for us is to present the wise
> in
> to protect the unconscious Philsopher that can stand
> in the murky waters (ie."newness") alive (as a Jungian
> Animus) within the Artist, however "bad" or "good",
> but in any way not the reverse, as Lucy or whoever he
> is,
> seems to be doing in those non-sensical posts that
> indeed are spoiling my inbox.
> 
> Yours
> Liza Kozner
> 
> 
> --- sid littlefield <falsedeity at lycos.com> wrote:
> > Quite right. There is little doubt that your
> > e-mail(s) provide for the thought that sparked my
> > e-mails and your e-mails and my ...
> >
> > I will put this question to all in the group (bad
> > poet and good):
> >
> > How are we to tell the new? The new from the mundane
> > in the new's clothing?
> >
> >
> > When our threats and insults fade, what thought have
> > we shared?
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