[D-G] La Projétation en Architecture (Vitruve)-

Fri Mar 10 16:34:59 PST 2017

Abandoned Phonemes Found in the Dumpster of the Starship Enterprise

J.  gomi 'waste, rubbish', tawagoto 'nonsense', omoi 'weighty,
burdensome, oppressive', futotteiru 'overweight' hageshii 'intense,
violent, crowded',  hageshi ame 'heavy rain' hageshii kotsu 'heavy
traffic', omoi kokoro 'heavy heart.' J. gota-gota 'trouble, chaos
gotas-gota o okosu 'cause trouble, chaotically, hapharzardly', gota-gota
suru be chaotic; be complicated' be crowded, goto 'burglar, robber',
goto ni 'every, each, gottagaesu 'be very crowded; be cluttered.' Thus,
in the machinic unconscious, there would be hypercompensation for the
parasiotic vampirism of capitalist systems.

The asterisk (*) means that it is attested in the literature:

'hagemasu < fagemasu ? < *fageymasu < *panka-Ci-ma-sa (<?) 'encourage,
inspire'; hagemu < *fageymu < *panka-Ci-ma 'spur oneself, strive,
labor hagesi adj., hakaru < fakaru <* paka -ra- 'measure, calculate,
consult (with)', omoru <* omo adj. a -ra- 'become heavy/serious' Edo A.
attested Hn (also NS but not phonetically), omoi 'thought', goma
'sesame' Sz, Narada, Izumo, Hiroshima; gomi ? <* nkomi 'rubbish, trash',
Hamada, Goka-mura, Hiroshima;The bound auxiliary goto 'like' and the
bound auxiliary adjective goto-si 'is like' that derives from it are
always DAKU. It is generally ssumed that goto(-ni) 'each, every' was
voiced (as the phonogram in M 4000 has it), so that in moto ["] koto ni
'on every tree' with the phonogram DITCH the distinction is
orthographically underdifferentiated. Similar underdifferentiation of
the dental stop occurs for the particle dani 'even', written ["] tani
with the phonogram MANY in NS 107 and NS 127.
....
The distinctive hyphen we use to write Hattori's Apostrophe (in those
cases when it is not neutralized) is a readily removable feast. It but
rarely turns up within a morpheme and there are many longer words where
it is never needed; moreover, , even in those words where the boundary
is called for, it readily drops. Japanese linguists will sometimes write
/'/ to indicate morphemic boundaries that are not heard at the surface
level: two morphemes comprise sa(right-angle sign) 'i 'difference', and
the accent of sa'i (right-angle sign)-do 'degree of difference' as
contrasted with that of sa (right-angle sign)ido 'side' implies two
one-mora syllables in the underlying form, but the word ordinarily
sounds exactly the same as the sa (right-angle sign)i that represents
several one-morpheme words 'talent, wife' rhinocerus.'....Cf. Sakurai
(1978) says also that the modern heavy syllables developed (by uniting
two one-mora syllables) sometime during the Muromachi period. On the
possibility of earlier subsyllabic moras, see section 52.'
(Martin, The Japanese Language Through Time)

<-----Original Message----->
From: Mike Lansing [deleuze-guattari at lists.driftline.org]
Sent: 3/10/2017 12:54:35 PM
To: deleuze-guattari at lists.driftline.org
Subject: Re: [D-G]La Projétation en Architecture (Vitruve)-

The womo-ku to mo 'even being heavy' we suggest has not only been
miniaturized, but has developed in the machinic unconscious, as in a
dream wherein the legs are heavy and movement is difficult.

<-----Original Message-----> 
>From: Mike Lansing [badger2 at mail2world.com]
>Sent: 3/9/2017 1:12:04 PM
>To: deleuze-guattari at lists.driftline.org
>Subject: Re: [D-G]La Projétation en Architecture (Vitruve)-
>
>MU p. 217, Figure 10 Diagrammatic cycle of deterritorialization, shows
>'substance' in between form and matter, with a dotted line as
>semi-circle below it. Architects know that a city rots from the inside
>towards its periphery.
> 
>'the loops of the "capture of form" (of formalization) tend to be
>miniaturized and to indefinitely accelerate their cycle (Fig. 10)
>Petli zakhvata formy (oformleniia) klonat' byt' miniaturnykh I
>beskonechno u skorit' ikh tsikl. (Fig. 10)
>
>.....elementary quanta....assimilated to infinitesimal black holes,
>substituted for ancient modes....'
> 
>Morphology of Forms
> 
>'The Japanese-Portuguese dictionary gives "womo = /womoo/ <----omo-[ku]
>'being heavy', but Esopo (1593) has "womoquotomo" (413) = womo-ku to mo
>'even being heavy'. For goto- 'like' the Portuguese attest only the
>fossilized forms gotoqu [-ni] = goto-ku (ni) and gotoqi-no = goto-ki
no.
>The expected forms *gotoi <----goto-[k]i and *gotoo (*goto")
><----goto-[k]u somehow never developed.*"goto").'
>(Martin, The Japanese Language Through Time) 
> 
>
><-----Original Message----->
>From: Johnatan Petterson [deleuze-guattari at lists.driftline.org]
>Sent: 3/8/2017 5:49:06 PM
>To: deleuze-guattari at lists.driftline.org
>Subject: Re: [D-G]La Projétation en Architecture (Vitruve)-
>
>hi.
>on page CS298 Guattari
>after a catalogue of the three spaces which have been explored by
>Vittorio
>Ugo:
>-euclidian space (apollinian)
>- projective space (morphean)
>- labyrinth space (dionysian)
>
>Guattari does the "énonciation scripturale" of "la projétation
>architecturale".
>
>[from Vitruve to Corbu to Vinci, from the formal angle, to the organic
>point of vue, to the fractal territorialisation, exploring
>correspondances
>between the human body and the habitat]
>
>which should promulgate new
>-potentialities
>- new universes of references,
>to begin with the one riding the development of the ethico - aestetic
>aspects in the building.
>
>301p Guattari mentions to that effect, Sartre's "engagement" allowing
>himself all licence in cartographical methodologies provided they
relate
>to
>a "parachèvement existentiel"
>and a "surabondance d'être" as sole criterium of truth in his
>development.
>
>best,
>J.P.
>_______________________________________________
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