[D-G] How does one know when a 'revolutionary' medium has runitscourse?

[joan carol urquhart]

Thank  you,  james

I have not seen it but will look for it...

How often in history does an assemblage like their unfold.

joan




----- Original Message ----- 
From: "james" <spatium at gmail.com>
To: <deleuze-guattari-driftline.org at lists.driftline.org>
Sent: Thursday, June 23, 2005 11:33 PM
Subject: Re: [D-G] How does one know when a 'revolutionary' medium has
runitscourse?


joan

Have you seen the recent publication of Guattari's "Écrits pour
l'Anti-Oedipe"?  This book begins to explore the dynamic between D&G
and Stéphane Nadaud opens with the question of who wrote (consider the
opening of Rhizome) and how AO was produced, perhaps in the manner of
a wasp and an orchid...

james

On 6/23/05, joan carol urquhart <jcu at execulink.com> wrote:
>
> The medium is just a tool.
> It's usefulness or relevance always recycles.
>
> I am interested in the how these two men wrote together.
> What was that dynamic? And am not sure if anything has been
> written about this.
>
> But to respond to your post,
> if all it would take is
> "the right post to send us shooting along a witch's line".
>  why not give it a try and find out.
>
> j
>
>
>
> ----- Original Message -----
> From: "sid littlefield" <falsedeity at lycos.com>
> To: <deleuze-guattari-driftline.org at lists.driftline.org>
> Sent: Thursday, June 23, 2005 3:26 PM
> Subject: [D-G] How does one know when a 'revolutionary' medium has run
> itscourse?
>
>
> The question is how one is to determine whether a medium can still be
> considered revolutionary or not. Is it possible for a revolutionary
artform
> to no longer be able to produce interesting thoughts.
>
> I speak here of two examples. If one looks at Jazz (and ignores Adorno's
sad
> attempt to understand/defeat it) one can see the revolutionary importance
it
> played, in music but also literature (the beats) etc. But it is difficult
to
> see how Jazz can still play this role, especially given its own popularity
> and the lack of inspiring acts. So, is it exhausted, is such a thing
> possible.
>
> The other example is our own list. I have been a member for a while and
have
> seen the floods and the famines. It seems now that this list has run its
> course and is exhausted, or even dead. And while we may say that there is
a
> real lack of interest it is also true everytime something gets started it
is
> quickly shot down by the non-sense that floods the list (Although I am
> impressed that we a monkey and a galactic bounty hunter participating, it
> does not make the interventions any easier). Is this list exhausted or
dead?
> Is it simply waiting for the right post to send us "shooting along a
witch's
> line"? Can a form be brought back from the edge of obscurity?
>
> This question is larger than my interest in Jazz and our interest in this
> list. It is a political question that the left is coming to grips with and
> that this list has now to ask itself.
>
> sid
>
> --
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